Traditional Tanjore Painting

The difference between this gilding technique and the original gold lies in the final result. The latter uses raw gold foil, which is so sensitive that even a hint of a baby crumbles at the slightest touch.

There is something seductive about the splendor of the Thanjavur painting style, which has its roots in Tamil Nadu (today’s Thanjavur district). The most charming artistic beauty of Thanjavur art is the glitz of the gold-covered canvases studded with pearls and semi-precious stones, which emphasize the stark contrast between the other paintings and reds, blues, and greens.

The iridescent palette of Tanjore painting uses bright reds, blues, and greens. Artists used vegetables, minerals, and dyes for natural colors in the past, but chemical colors have been adopted over time. Tanjore paintings characteristically use vibrant colors and gold leaf ornaments. They use cut glass, beads, and precious and semi-precious stones as decoration.

Tanjore Painting is a classic South Indian painting style originally born in the district of Thanjavur in Tamil Nadu in the 17th century. Tanjore paintings, painted traditionally, are auspicious works of art that will last a lifetime, taking prominent positions in Puja houses, places of worship, and altered images of worship. Sivvyani, Ramapattabishekam, Meenakshi Kalyanam, Murugan Valli, Devayani, and Lakshmi are sought for compositions in Tanjore paintings, and the interpretations of artists lend them uniqueness.

The classical art form of South India, Thanjavur painting, also known as Tanjore painting, is a celebration of the rich artistic tradition of the region and is named after Thanjavur City in Tamil Nadu, India. The style has undergone various changes over the years but is still popular with art lovers today and has inspired many artists with its Indian style. Tanjore’s paintings are known for their extravagant depictions of deities, vibrant colors, and elaborate ornaments such as gold foil.

The inspiration for Tanjore painting comes from the patronization of art forms such as classical dance, music, literature, and painting. Typical Tanjore paintings consist of the main character, usually a deity, with a round face, body, and oval eyes. Tanjore’s paintings are created by a team of craftsmen consisting of experienced facial embossers, impressionists, 22-carat gold leaf guilders, and master artists who primarily focus on painting the face with the right expression. The paintings depict the goddess Lakshmi, Lord Krishna, Bhagwanganesha, Shiva, Balaji, Veer, and Hanuman.

Our Tanjore paintings are created by a team of craftsmen consisting of experienced embossers, make-up impressionists, 22-carat gold leaf guilders, and master artists who focus on painting the face with the right expression. No other traditional art form can portray the Almighty as well as Tanjore. Thanjavur paintings deal with Hindu gods, goddesses, saints, episodes, Hindu relics, and religious texts, all of which are visualized and sketched in the pictures.

There are many examples of Jain, Sikh, Muslim, and secular objects depicted in these paintings. Let us delve deeper into traditional Indian painting in the form of this blog post. Thanjavur paintings get their name from a Sanskrit word and other Indian painting styles.

A native of Thanjavur does not know why he has signed up for a Thanjavur painting at any time, he admits. When he graduated, he knew one thing for sure: He wanted to be Thanksgiving and learn to paint like a professional artist. In his first year as a student at the University of Tamil Nadu, he enrolled in a painting course with his friends for fun.

This article covers the history of Tanjore painting, the making of a masterpiece, the process of making a painting, and the type of frame. The high-quality 22-carat gold foil used in Thanjavur paintings can last for many generations, but medium-sized paintings are on the expensive side.

To unpack the old ways and repackage them for the new generation of artists. Tanjore painting has its origins in the Vijayanagara period (1500-1600 AD) and derives its vibrant colors. Over the next two centuries (1600 A.D. – 1800 A.D.), the Maratha rule brought distinctive stylistic changes to art, using gold, precious stones, and gems inspired by Mughals and European craftsmen.

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